i Clement Greenberg, The Collected Essays and Criticism, Vol. 1
ii Clement Greenberg, The Collected Essays and Criticism, Vol. 2
iii Clement Greenberg, The Collected Essays and Criticism, Vol. 3
iv Clement Greenberg, The Collected Essays and Criticism, Vol. 4
aam T. J. Clark, “Arguments About Modernism”
aap Joseph Kosuth, “Art After Philosophy”
ab Robert Pippin, After the Beautiful
aea Arthur Danto, After the End of Art
ana Peter Osborne, Anywhere or Not at All
ao Michael Fried, Art and Objecthood
aoa Robert Jackson, “The Anxiousness of Objects and Artworks”
at Michael Fried, Absorption and Theatricality
aw Arthur Danto, Andy Warhol
bbj Elaine Scarry, On Beauty and Being Just
bnd Hal Foster, Bad New Days
cgta T. J. Clark, “Clement Greenberg’s Theory of Art”
cr Michael Fried, Courbet’s Realism
db Gavin Parkinson, The Duchamp Book
es Jacques Rancière, The Emancipated Spectator
fi T. J. Clark, Farewell to an Idea
gd Graham Harman, “Greenberg, Duchamp, and the Next Avant-Garde”
he Clement Greenberg, Homemade Esthetics
hmw Michael Fried, “How Modernism Works”
kad Thierry de Duve, Kant After Duchamp
lw Clement Greenberg, Late Writings
mm Michael Fried, Manet’s Modernism
no Bettina Funcke, “Not Objects so Much as Images”
oos Roger Rothman, “Object-Oriented Surrealism”
ou Rosalind Krauss, The Optical Unconscious
pa Jacques Rancière, The Politics of Aesthetics
rr Hal Foster, The Return of the Real
tc Arthur Danto, The Transfiguration of the Commonplace
дк Лео Стайнберг, Другие критерии
ксс Иммануил Кант, Критика способности суждения
нэ Жак Рансьер, Неудовлетворенность эстетикой
па Розалинд Краусс, Подлинность авангарда и другие модернистские мифы
рч Жак Рансьер, Разделение чувственного. Эстетика и политика
тн Гарольд Розенберг, Традиция нового
эз Жак Рансьер, Эмансипированный зритель