Примечания

1

A. Gehlen. Zeit-Bilder. Zur Soziologie und Aesthetik der modernen Malerei, Frankfurt: Athenaeum, 1960.

2

Т. Adorno. Minima Moraiia: Reflections from Damaged Life, trans. E.N. Jephcott, London: Verso, 1974, p. 39, 50.

3

W. Benjamin. On the Concept of History, in: Selected Writings, vol. 4: 1938–40, ed. Howard Eiland and Michael Jennings, Cambridge: Harvard University Press, 2003, рр. 389–00.

4

W. Benjamin. Critique of Violence, in: Selected Writings, vol. 1: 1913–26, ed. Marcus Bullock and Michael Jennings, Cambridge: Harvard University Press, 1999, pp. 236–252.

5

G. Tarde. The Laws of Imitation, New York: H.Holt and Co., 1903, p. 88.

6

Jean Baudrillard. The Conspiracy of Art: Manifestos, Interviews, Essays, ed. SylverLotringer (NewYork: Semiotext(e)/MIT Press, 2005).

7

Giorgio Agamben. The Time That Remains: A Commentary on the Letter to the Romans, Stanford: Stanford University Press, 2005.

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